Featured Australian works
||Sonata (1972) for flute with piano||Phyllis Batchelor||12 mins, 48 sec.|
||Abinu Malkenu (1971) Ashkenazic ancient melody, for violin and piano||Mirrie Hill||8 mins, 35 sec.|
||This white shell standing (1973) — full orchestra with narrator||Dulcie Holland||13 min, 9 sec.|
||Suite of old dance forms||Meta Overman||14 min, 19 sec.|
||Terra Australis||Esther Rofe||25 min, 36 sec.|
||Nocturne (1944) for violin with piano||Margaret Sutherland||3 mins, 17 sec.|
Duration: 78 min.
Contents note: Terra Australis / Esther Rofe -- Nocturne / Margaret Sutherland -- This white shell standing / Dulcie Holland -- Sonata for flute and piano / Phyllis Batchelor -- Avinu malkenu (Our Father, our King) / Mirrie Hill -- Suite of old dance forms / Meta Overman.
Performers: Queensland Symphony Orchestra (Terra Australis, Avinu malkenu) ; Richard Mills (conductor: Terra Australis, This white shell standing) ; Maria Lindsay (violin: Nocturne) ; Josephine Allan (piano: Nocturne) ; Sydney Symphony Orchestra (This white shell standing) ; Joyce Trickett (narrator: This white shell standing) ; Derek Jones (flute: Sonata for flute and piano) ; Robert Chamberlain (piano: Sonata for flute and piano) ; Wilfred Lehmann (conductor: Avinu malkenu) ; Harold Wilson (violin: Avinu malkenu) ; West Australian Symphony Orchestra (Suite of old dance forms) ; David Measham (conductor: Suite of old dance forms).
CD prepared by Australian Music Unit, ABC Classic FM.
Capture session: Terra Australis recorded at ABC Ferry Road, Brisbane, 5 October 1994 ; Nocturne recorded in Eugene Goossens Hall, ABC Ultimo Centre, Sydney, 10 September 2003 ; This white shell standing recorded in Eugene Goossens Hall, ABC Ultimo Centre, Sydney, 5 November 1993 ; Sonata for flute and piano recorded in Iwaki Auditorium, ABC Southbank Centre, Melbourne, 13 March 2003 ; Avinu malkenu recorded at ABC Ferry Road, Brisbane, 16 February 1993 ; Suite of old dance forms recorded in Perth Concert Hall, 24 August 1994.
Liner notes include brief programme notes.
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