Sheet Music: Score
Rave-elation / Matthew Hindson.
by Matthew Hindson (2002)
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Sales Availability: This item is not available to customers outside Australia and New Zealand.
Please contact Faber Music for all sales enquiries. - Library Availability: Q 784.2/HIN 11 — Available for loan
- Instrumentation: Piccolo, 2 flutes (2nd doubling piccolo), 2 oboes, cor anglais, 3 clarinets in A, 2 bassoons, contrabassoon, 4 horns, 3 trumpets in C, 2 trombones, bass trombone, tuba, timpani, percussion (2 players), piano, strings.
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Audio Sample
Performance by Camerata Australia, Camerata Scotland, Matteus Bamert
N/A

This item is not available to customers outside Australia and New Zealand.
Please contact Faber Music for all sales enquiries.
Product details
Rave-Elation was written for performance by the combined forces of Camerata Australia and Camerata Scotland. It uses aspects of popular music as a starting point, in particular that of the 'techno' music genre.
The piece is almost exclusively hedonistic in content, and this is deliberate. The main inspiration for the work comes from dance and 'rave' parties, especially the party-goers' single-minded indulgence in physical enjoyment.
'Rave' parties are large dance events, popular in the 1990s where the music is loud, produced through loud amplifiers. A steady drum beat, simulated and at times reproduced in Rave-Elation by a MIDI drum kit, controls the tempo and the excitement of the dancing crowd. The tempo and beat of Rave-Elation reflect the popular fast mood of this 'dance' music.
Published by: Australian Music Centre (under licence from Faber Music) — 1 score (32p. -- A3 (portrait))
Difficulty: Medium
Duration: 8 mins
First performance by RTE Concert Orchestra, Gareth Hudson — 6 Jun 03. National Concert Hall, Dublin
Includes programme note.
Typeset edition.
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This work also exists as the following versions:
- Full orchestra
- Browse other works published by Australian Music Centre (under licence from Faber Music)
- Browse other works for Orchestral music
- Browse other works by Matthew Hindson
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