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Sheet Music: Score

Silva : percussion concerto / Mary Finsterer.

by Mary Finsterer (2012)

  • Purchase Price: $66.00 (Usually ships in 2-5 business days) — Add to Cart
  • Library Availability: 785.3416/FIN 1 — Available for loan
  • Instrumentation: Flute, clarinet in Bb, piano, violin, cello, percussion.
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  • Audio Sample

    Performance by Ensemble Offspring from the CD Offspring Bites 1


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Silva derives from Latin, meaning forest, and provides the inspiration for this percussion concerto. With an aim to give different impressions of the forest, the work opens with an atmospheric ambience, giving a feeling of largeness through space and time. It looks out, as if to experience the forest through layers of branches and leaves, these represented by the whimsical, faster moving soft gestures of the woodwinds and string harmonics.

The second section emerges in stark contrast. With the earthy timbres of the tom toms set against the vibraphone, this section aims to give an impression of the forest from a completely different perspective. If the first section represents the leaves and branches and openness of the sky, then this section signifies the timber and soil that beds the forest, highlighting the percussion as other instruments work to create the harmonic layers.

The structure of the work takes a traditional form - a simple ABA structure. The first section reflects the work I have been developing since my orchestral work In Praise of Darkness, where the idea of memory is played out with recurring thematic fragments inspired by Tallis's Spem in alium and Schubert's Death and the Maiden.

The harmonic treatment of the work originates from two sources, the quotes I have mentioned and the language I have been developing from research into the Renaissance period for an opera on which I am working. My aim is for the overall effect to not to be too direct or leading. For this reason I avoid using one major or minor mode, instead opting for an interchangeable 3rd degree note within the scale.

The idea of the forest has always figured high in our collective consciousness. Through the stories we first heard as children, the forest plays on our imagination as a place of wonder, escape, danger and adventure. In many folk tales the forest is even seen as forbidden - a place full of mystery and shadows.

In the words of Robert Louis Stevenson,

'It is not so much for its beauty that the forest makes a claim upon men's hearts, as for that subtle something, that quality of air, that emanation from old trees, that so wonderfully changes and renews a weary spirit.'


Published by: Australian Music Centre — 1 facsimile score (59p. -- B4 (landscape))

Difficulty: Advanced

Duration: 16 mins

Dedicated to Claire Edwardes

Commissioned by Ensemble Offspring with funds provided by Australia Council. Music Board.

First performance by Ensemble Offspring at Ensemble Offspring (Sydney Opera House - Utzon Room) on 23 Oct 2012

The composer notes the following styles, genres, influences, etc associated with this work:
Renaissance music, contemporary classical music.

Typeset edition.

ISMN: 979-0-720145-44-0

Related products

This work is also available in the following products:

Offspring Bites 1
CD: Offspring Bites 1 / Ensemble Offspring.


- Browse other works for Other/Mixed Percussion with chamber ensemble

- Browse other works by Mary Finsterer

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