Sheet Music: Performance Parts
Sonus dulcis : for large ensemble / Andrián Pertout.
Also known as: Euphony
by Andrián Pertout (2000)
Sonus Dulcis or 'Euphony' - the Latin expression characterizing a sound, noise, voice, or tone that is sweet, pleasant, delightful, charming, or dear - was conceived in August of 2000 originally as a work for string trio, serving as an exploration of the system of just intonation, or pure intervals (whereby "frequencies of the individual tones reflect the precise mathematical proportions that occur in the harmonic series"), and therefore attempting to avoid sequential intervals with non-superparticular vibration ratios. German physicist Herman Ludwig Helmholtz was its passionate advocate, and his research suggests that in actual performance string players have a natural tendency towards just intervals, and especially in the absence of fixed pitch keyboard instruments. The work's pitch material features the Japanese 'In' scale, which is generally associated with art, koto and shamisen music, and is essentially a hemitonic pentatonic scale incorporating two auxiliary tones: E flat and B flat. The scale structure includes the just diatonic semitone, or major half-tone (16/15, or 111.731 cents), just minor tone (10/9, or 182.404 cents), and just major tone (9/8, or 203.910 cents) intervals. In 2003, the work was especially arranged and revised for the Oare String Orchestra, to be then recognized as the Joint-Winner of the Judges' Prize and Winner of the Audience Prize of the 2003 Oare String Orchestra Third International 'Music for Strings' Composing Competition (Faversham, UK). In 2016, it was also the Winner of the Veridian Symphony Orchestra Fourth Annual Composers' Competition (Yuba City, California, USA).
Published by: Australian Music Centre — 1 set of 11 performance parts (35p. -- A4 (portrait))
Difficulty: Advanced — Professional.
Duration: 5 mins, 49 sec.
First performance by University of South Carolina World Symphonic Jazz Orchestra, Sonia Jacobsen — 3 Oct 08. Recital Hall, School of Music, University of South Carolina, Columbia, South Carolina, USA
Composer's no.: 375o.
The composer notes the following styles, genres, influences, etc associated with this work:
Japanese ‘In’ scale, Just Intonation.
This edition produced Feb 09.
This work is also available in the following products:
This work also exists as the following versions:
- Soprano with chamber ensemble
- Quartets: 4 flutes
- Violin with piano
- Quartets: 4 Guitars
- Soprano with ensemble
- Trios: Flute, piano, cello
- Full orchestra
- Flute with piano
- String orchestra
- Piano Trios
- Trios: Clarinet, piano, cello
- Quintets: Oboe, clarinet, saxophone, bass clarinet, bassoon
- Trios: Flute, guitar, cello
- Soprano with piano
- Trios: Trumpet, piano, cello
- Trios: Bass clarinet, accordion, violin
- Clarinet with piano
- Quintets: Oboe, saxophone, piano, violin, cello
- Quintets: Flute, clarinet, horn, piano, cello
- Flute choir
- Wind quintets
- Quartets: Clarinet, piano, violin, cello
- Quintets: Alto flute, clarinet, piano, guitar, double bass
- Quintets: Clarinet, piano, violin, viola, cello
- Quintets: Oboe, clarinet, piano, violin, cello
- Saxophone Quartets
- String Trios
- Trios: Flute, bass clarinet, guitar
- Quintets: Flute, clarinet, piano, violin, cello
- String Quartets
- Trios: Alto flute, guitar, cello
- Browse other works for Large chamber ensembles
- Browse other works by Andrián Pertout
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