Audio Sample
|
Performance by Marianne Powles, Paul Dhasmana, Michael Sitsky, Susannah Flint, Catherine Playoust, Kevin Barker, Diana Blom, Elliott Gyger from the CD Greenbaum, Hindson, Peterson. |
Selected products featuring this work — Display all products (1 more)
Score
A voice from the city : three songs for voice and small ensemble / poetry by Henry Lawson ; music by John Peterson.
Library shelf no. 783.68547/PET 1 [Available for loan]
Display all products featuring this work (1 more)
Work Overview
The poetry of Henry Lawson is often written in a conventional
ballad style, and the directness and the humour of his verse made
him immensely popular. Much of his poetry was published in The
Sydney Bulletin, a weekly newspaper representing the views of the
working class living in Sydney in the 1890s. Lawson's appeal to
the readers of The Bulletin was due largely to the fact that his
themes and his characters were both recognizable and recognizably
part of the image that late 19th century Australians had of
themselves. Despite his popularity, however, Henry Lawson
remained emotionally insecure throughout his life, and poems like
Crossroads, riddled with guilt and self-recrimination, appear
occasionally in his output. While he spent only a small part of
his life living in the Australian 'bush', it strongly influenced
his writing and a large part of Lawson's output is concerned with
recreating the attitudes, lifestyles, and character of those who
lived there. Sometimes these poems are wistful, evoking a sense
of melancholy and mystery, as in The Song and the Sigh, for
example, while others are inhabited by those who display great
strength during times of adversity. Lawson saw women and children
as the real victims of the often harsh and inhospitable 'bush'
landscape and the
sometimes primitive living conditions. In The Water-lily, he
shows that women were often left alone to bear the burden of
loss, and that even the strongest survivors can be haunted by
nightmarish visions.
Work Details
Year: 1994
Instrumentation: Voice (mezzo-soprano or contralto), 2 flutes, clarinet in B flat, bass clarinet, tenor trombone, piano.
Duration: 14 min.
Difficulty: Advanced
Contents note: 1. Crossroads -- 2. The song and the sigh -- 3. The water-lily.
Dedication note: Dedicated to Marianne Powles
First performance: by Marianne Powles, Coruscations, Elliott Gyger — 26 Nov 94. Old Darlington School, University of Sydney
Subjects
- Inspired by: Literature & Poetry
- In the form/style of: Song Cycles
Performances of this work
26 Nov 94: Old Darlington School, University of Sydney. Featuring Marianne Powles, Coruscations, Elliott Gyger.
User reviews
Be the first to share your thoughts, opinions and insights about this work.
To post a comment please login.