Work
The Howling Girls : opera for soprano, teenage chorus and electronics
by Adena Jacobs and Damien Ricketson (2018)
Score
The Howling Girls : opera for soprano, teenage chorus and electronics / Damien Ricketson, composer ; Adena Jacobs, director.
Library shelf no. 782.1/RIC 1 [Available for loan]
Work Overview
'In the weeks following the terrorist attacks on the World Trade
Centre…five gaunt teenage girls had arrived separately at a
Manhattan hospital complaining of identical symptoms. They were
wasting away because they couldn't "swallow"….."All five believed
that some debris or body part from the destruction of the towers
had lodged in their throats and produced the symptom." The ear,
nose, and throat surgeon who examined the girls discovered that
their throats were, indeed, constricted. But he could find no
obstruction, no debris, and needless to say, no body parts."
(Susan Faludi inThe Terror Dream, recounting Judith Greenberg's
anthology Trauma At Home)
This haunting image became the seed for The Howling
Girls. Five young women witness a collective trauma that is
impossible to digest. Perhaps this anecdote is a metaphor for
violation, the sense of being permeable, the terror that sets in
when the familiar systems are collapsing - a larger trauma
re-inscribed on the body and on the voice. Perhaps this is also a
story which echoes a another collective trauma, that is the
history of female 'hysteria,' a history of not being believed, of
speaking a language deemed irrational and unintelligible.
Hysteria is controversial and mysterious territory. Robert
Woolsey, a medical historian, considers hysteria to be a
"protolanguage" whose symptoms are "a code used by a patient to
communicate a message which, for various reasons, cannot be
verbalized." Within feminist discourse, it has been been
understood both as a means of controlling the female subject, and
as a subversive force, a space of resistance which can disrupt
and undermine the patriarchal order. Elaine Showalter writes;
'Historically linked with femininity for hundreds of years,
hysteria's involuntary, uncontrollable, somatic symptoms were
coming to be understood in the emerging critical feminist
discourse not as a medical condition but a cultural one, an
embodied index of forms of oppression.'
The Howling Girls explores the medium and metaphor of
the voice. Featuring a solitary soprano and a throbbing chorus of
young voices, together with an immersive orchestration of
theremin, keyboards and electroacoustic music, the score itself
is a kind of proto-language, an attempt to communicate in a mode
beyond the rational: a sensory spectacle to bypass the brain and
work directly on the body.
The work unfolds in the trajectory of a single utterance.
Beginning with the lungs - the engine room of the voice where the
first transformation from mind to matter occurs with the squeeze
of this bodily bladder of air - channelled into the throat - the
fleshy organ pipe-cum-string instrument translating energy into
vibration - to the crucible of the mouth and its attempt to forge
this plasmic substance into an articulate mass - to its final
expulsion from the lips in a rupture from the body to the outside
world.
For us, this experiential work functions as a ritual or
purgation, in which the desire of reconstituting the voice is
performed. The Howling Girls inhabits a space which is
seemingly alien, at once primordial and futuristic, a fantasy of
new possibilities for language and gender, a landscape of
sensations, a monument and a void which gives way to something
new.
Adena Jacobs & Damien Ricketson
Work Details
Year: 2018
Instrumentation: Solo soprano, chorus of 5 teenage girls, 2 theremin (1 on-stage), keyboard (driving 2 virtual instruments via MIDI), electronic queues, percussion, large PA horns, hulsui in A.
Duration: 65 min.
Difficulty: Medium
Commission note: Commissioned by Sydney Chamber Opera, Carriageworks.
First performance: by Sydney Chamber Opera at The Howling Girls (Carriageworks) on 28 Mar 2018
Awards & Prizes
Year | Award | Placing | Awarded for/to |
---|---|---|---|
2019 | Art Music Awards: Work of the Year: Vocal/Choral | Winner | Damien Ricketson |
Analysis
Resonate article: 2019 Art Music Awards - what the judges said by Australian Music Centre
Subjects
- In the form/style of: Chamber Opera
Performances of this work
31 Oct 2019: at The Howling Girls (Tokyo Metropolitan Theatre). Featuring Jane Sheldon, Sydney Chamber Opera, Jack Symonds.
6 Apr 2018: at The Howling Girls (Carriageworks). Featuring Sydney Chamber Opera.
3 Apr 2018: at The Howling Girls (Carriageworks). Featuring Sydney Chamber Opera.
28 Mar 2018: at The Howling Girls (Carriageworks). Featuring Sydney Chamber Opera.
User reviews
Be the first to share your thoughts, opinions and insights about this work.
To post a comment please login.