This is a stub entry only — it provides links to other resources by and about Jane Sheldon held in our catalogue.
Random Audio Sample: Sea chronicles : five songs for soprano and string quartet by Paul Stanhope, from the CD Songs for the shadowland
Articles by and about Jane Sheldon
The Origin Cycle by Peter Godfrey-Smith and Jane Sheldon
Charles Darwin's Origin of Species is not only one of the most important scientific works of all time, but one of the most beautifully written. The Origin Cycle is a work in which eight Australian composers have set short fragments of Darwin's book to music, for performance by solo soprano and chamber ensemble. 2009 marks the bicentennial of Darwin's birth and 150 years since the first publication of the Origin of Species
Winners of the inaugural Art Music Awards announced by Australian Music Centre
Australasian Performing Right Association (APRA) and the Australian Music Centre (AMC) have announced the winners of the inaugural Art Music Awards, the only national event in Australia to acknowledge the enormous achievement and creative successes of Australian performers and composers in the genres of contemporary art music, jazz and experimental music.
The gala event held at the Sydney Theatre, Walsh Bay on Tuesday 3rd May 2011 honoured winners across nine national categories and seven State Awards, spanning performance, composition, outstanding contributions to Australian music by individuals and organisations, music education and regional music. An additional Award for Distinguished Services to Australian Music, as determined by the Board of Directors of APRA and the AMC, was also presented.
Nature: New World Poems, New World Songs by Jane Sheldon
David Malouf's 2003 essay Made in England: Australia's British Inheritance, has come to mind many, many times since I moved from Australia to England in 2007, and then from there to another former British colony, the USA, in 2008. Like any immigrant, I'm sure, I engage daily in the almost involuntary exercise of comparing and analysing the differences, some tiny and trivial, some grand and consequential, between the country I'm from and the country where I now live.
One thing all this navel-gazing has taught me is that I'm a New World person...
Resonant Bodies - from New York to Melbourne by Jane Sheldon
In 2014 American vocalist Lucy Dhegrae invited me to present a program at Resonant Bodies, the festival she founded in New York City in 2013. The brief was a rare gift: 45 minutes in which to do whatever I liked. I could explore a corner of the vocal repertoire that was a preoccupation of mine at that time, or I could focus on a particular kind of vocal sound or vocal technique; I could commission a new work, or invite a collaborator to create something new with me.
It may not be obvious, but this is not usually how singers are booked to perform...
Three Australians on the Classical:NEXT Innovation Award shortlist by Australian Music Centre
The 2019 Classical:NEXT Innovation Award Longlist has been revealed, with three Australians among nominees: percussionist/artistic director Claire Edwardes, and the team of two singers behind the Resonant Bodies Australia festival, Jane Sheldon and Jessica Aszodi. Voting will open in March, and the winner(s) will be revealed during the Classical:NEXT industry event in Rotterdam in May.
Works commissioned by Jane Sheldon
Works commissioned and written for Jane Sheldon
CDs, Books and Kits featuring Jane Sheldon
Events featuring Jane Sheldon
World premieres given by Jane Sheldon
No One Could Relax around Jezebel (soprano with percussion) by Andrew Ford— 13 Oct 18 (Reardon Theatre, VIC)
2 Rilke Lieder : for soprano, viola/viola d'amore and clarinet by Jack Symonds— 18 Jul 14 (Symbiosis I, 107 Projects, Redfern, Sydney)
Sonetos del amor oscuro : arranged for soprano and piano by Rosalind Page— 28 Jul 10 (Music Workshop, NSW)
Comparing the eye to a telescope : soprano with ensemble by Barry Conyngham— 13 Nov 09 (Peter Karmel Building, ANU School of Music, ACT)
Economy of wax : for soprano, flute/piccolo, viola and harp by Nicholas Vines— 28 Apr 09 ( Cambridge Science Festival; Harvard Museum of Natural History)