No products are available for this work
The Australian Music Centre's catalogue does not include any recordings or sheet music of this work. This entry is for information purposes only.
Materials for this work may be lodged in our collection in the future. Until then, any enquiries should be made directly to the composer/sound artist or their agent.
Work Overview
Poulaines were the medieval shoes with long pointed (and sometimes curled) toes. The title therefore evokes both the medieval feel of the piece and, because of the asymmetrical 5/8 rhythm perhaps the ungainliness of such fashion faux pas. 5/8 is in fact one of my favourite time signatures, particularly because of the way you can manipulate the 3+2 division into 2+3 to give a melody a lovely rhythmic impulse.
The piece makes use of the timbral variation of singing (in unison or at any convenient octave) into the recorder, mainly in accompaniment parts. This is done to broaden the timbral range of the piece. It is not a representation of the groans of those who wore the poulaines, though archeology suggests that bunions were frequent in the eras when the shoes were popular. In this piece you should use a gentle voice that just slightly colours the recorder sound. Other pieces (The voice of the crocodile for instance) require a more aggressive vocal sound. If you don't feel confident singing into your recorder the piece will work perfectly well if just played straight. But do give it a go.
Whenever a piece is called a dance always think about how you would move to it. Embodying the feel of the dance will help create the right musical effect.
Work Details
Year: 2026
Instrumentation: Soprano, alto, tenor, bass recorders.
Duration: 2 min.
Difficulty: Medium
Commission note: Commissioned by the American Recorder Society
User reviews
Be the first to share your thoughts, opinions and insights about this work.
To post a comment please login.
