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Clarinet concerto : clarinet with piano

by Philip Bračanin (1985)

Score Sample

View a sample of the score of this work
This sample is from the Clarinet with orchestra version of this work

Audio Sample

Performance by Queensland Symphony Orchestra, Floyd Williams, Richard Mills from the CD Queensland Symphony Orchestra.

This sample is of the Clarinet with orchestra version of this work

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Out of Print

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Concertos / Philip Bracanin.

Version: This product features the Clarinet with orchestra version of this work

Library shelf no. CD 256 [Available for loan]

Clarinet concerto


This item is not commercially available from the Australian Music Centre. We regret that we cannot offer it for sale.

Score & Part

Clarinet concerto / Philip K. Bracanin.

Library shelf no. Q 788.62/BRA 1 [Available for loan]

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Work Overview

Bracanin's mellow, dolorous music is, unusually, in the first movement of this concerto, completed in December 1985. The sense of meandering melancholy is profound, and only intensified by Bracanin's manipulation of modal fragments, leading from simpler to more complex forms as the movement progresses, and his slow-moving "Slavic" bass line. Yet the music is solidly tonal and gloriously open in its sound. In 1992 Charles Southwood observed: "You float out ideas into the gravitational field of a key, but you never let them drop back hard onto a key note, unless you want to. Instead, they all float independently of one another, and yet this gravitational field . . . holds the diversity of colours and sounds together. That's very clever."

The second movement is the concerto's most substantial, constructed upon a basis of tempo and thematic contrasts, including references back to material of the first movement. A highlight of the movement is a delightful jazz passage, where Bracanin imitates an early-1950s style. The flexible authentically swung clarinet line is accompanied by block chords on strings and brass.

Concluding this concerto is a vivace finale, which acts as a joking postlude after the more serious musical business of the first two movements. There is some rumbustious scattering of thematic fragments between soloist and the orchestral sections, before a very loud, spectacular coda for full orchestra.

© 1995 Malcolm Gillies

Work Details

Year: 1985

Instrumentation: Clarinet, piano (reduction of orchestral parts).

Duration: 19 min.

Difficulty: Advanced


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