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Work

Circles in life : for jazz orchestra

by Nadia Burgess (2012)

Score Sample

View a sample of the score of this work

Audio Sample

Performance by Divergence Jazz Orchestra, Jenna Cave from the CD Selected works by AMC represented artists, vol. 35.

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Selected works by AMC represented artists, vol. 35.

Non-Commercial

This item is not commercially available from the Australian Music Centre. We regret that we cannot offer it for sale.

CD

Selected works by AMC represented artists, vol. 35.

Library shelf no. CD 2477 [Available for loan]

Display all products featuring this work (1 more)  

Work Overview

Circles in Life is about birth, life and death; one generation dying out and a new one carrying on; daily routines and rituals; travelling to and from the same places; re-visiting places and so on.
Much inspiration for this composition has come from The First Circle (1984) by Pat Metheny and Lyle Mays which begins with the handclapping of rhythmic patterns like in Part 1 of Tehillim (1981) by minimalist composer Steve Reich. In The First Circle Metheny and Mays maintain and develop the rhythmic patterns throughout the piece. Circles in Life is based on the opening 12/8 guitar rhythmic pattern from The First Circle and several sub-divisions thereof.
In Circles in Life the fusion of contemporary art music, jazz, traditional African music and natural sounds from Africa is forged into a classical structure, Sonata form. There is an introduction, an Exposition with two subjects or themes, a Development section which consists of improvised solos based on the cyclic chord progressions from the two themes, a Recapitulation and a Coda.
Compositional techniques used to portray circular effects are ostinato patterns, major chords becoming minor and vice versa, straight quavers being swung, ascending and descending lines, undulating and oscillating effects, and so on.

Work Details

Year: 2012

Instrumentation: 2 alto saxophones, 2 tenor saxophones, baritone saxophone, 4 trumpets, 3 trombones, bass trombone, guitar, piano, double bass, drums. Includes alto, tenor and guitar solos.

Duration: 9 min.

Difficulty: Advanced

Dedication note: Dedicated to Pat Metheny and Lyle Mays

First performance: by Divergence Jazz Orchestra, Jenna Cave at Sydney Conservatorium of Music Presents: Divergence Jazz Orchestra with Judy Bailey (Seymour Centre) on 25 Jul 2013

Subjects

Performances of this work

7 Feb 16: 16-22 Cross St, Brunswick VIC. Featuring Melbourne Composers Big Band, James Mustafa.

25 Jul 2013: at Sydney Conservatorium of Music Presents: Divergence Jazz Orchestra with Judy Bailey (Seymour Centre). Featuring Divergence Jazz Orchestra, Jenna Cave.

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