Enter your username and password

Forgotten your username or password?

Your Shopping Cart

There are no items in your shopping cart.


Piano sonata (solo piano)

by Ross Edwards (2011)

Score Sample

View a sample of the score of this work

Audio Sample

Performance by Bernadette Harvey from the CD Mantras and night flowers

Selected products featuring this work — Display all products (2 more)

Display all products featuring this work (2 more)  

Work Overview

My Piano Sonata has three movements. The first, which uses some of the devices of the classical sonata-allegro, opens with pounding earth rhythms punctuated by joyful outbursts that sound like birdsong. The jagged shapes and pulses of this material persist throughout much of the movement in various guises, sometimes directly re-stated, sometimes modified, transformed or merely hinted at. A delicately textured pentatonic episode provides a central moment of inward reflection, characteristic of my music, but in this case perhaps unconsciously influenced by the wind chimes in my neighbour's garden.

As slow and sad as anything I've composed, the second movement - a simple three-part song form - flares briefly, and with a force that took me by surprise, into the Sancte Spiritus from my Dawn Mantras (which also marks the climax of my Third Symphony) before resuming its song of heartbreak. The last movement, I decided, needed to be cheerful. On a whim, I began by quoting one of my own children's pieces, the last of the Five Little Piano Pieces, composed thirty five years earlier in 1976. Piano teachers, my wife among them, have long reprimanded me for making this piece too hard for little fingers and it seemed fitting that I should now further elevate it into the realm of virtuosity by increasing the tempo. Composed in the Indonesian pelog nem scale, its heterophonic interplay of voices suggests a toy gamelan playing with impossible velocity. Its child-like optimism shines through, however, and I tried to sustain this in later sections by preserving its spirit and momentum and echoing some of its rhythms. Following a wild introductory birdcall, textures recalling the playful Bach of the Two- Part Inventions are immediately established: Western polyphony here supplants South East Asian heterophony but a common musical purport creates a link between the cultures - or at least it does for me. The children's music theme is reinforced by a fleeting but obvious Bach allusion.

Ross Edwards

Work Details

Year: 2011

Instrumentation: Piano.

Duration: 13 min.

Difficulty: Advanced — The slow second movement (c.5 mins.) of is of medium difficulty and may be played on its own.

Contents note: I. Allegro -- II. Lento e mesto -- III. Animato.

Dedication note: Dedicated to Bernadette Harvey

First performance: by Bernadette Harvey at Ross Edwards - retrospective (Verbrugghen Hall) on 9 May 2012

Commissioned by The University of Sydney and Professor Kim Walker, Dean and Principal of The Sydney Conservatorium of Music, under the Vice-Regal patronage of the Governor of New South Wales, Her Excellency, Professor Marie Bashir, to celebrate the 100th anniversary of The Sydney Conservatorium of Music


Piano sonata by Ross Edwards


Performances of this work

13 Jun 2015: at A Rhythm that Dances (Recital Hall East). Featuring Bernadette Harvey.

9 May 2012: at Ross Edwards - retrospective (Verbrugghen Hall). Featuring Bernadette Harvey.

User reviews

Be the first to share your thoughts, opinions and insights about this work.

To post a comment please login.