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Work

Hum (spoken voice with chamber ensemble)

by Andrew Harrison (2016)

Score Sample

View a sample of the score of this work

Audio Sample

Performance by New Music Detroit, Jamaal May, Michelle Merrill from the CD Selected Works by AMC Represented Artists, vol. 122.

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Selected Works by AMC Represented Artists, vol. 122.

Non-Commercial

This item is not commercially available from the Australian Music Centre. We regret that we cannot offer it for sale.

CD

Selected Works by AMC Represented Artists, vol. 122.

Library shelf no. CD 3150 [Available for loan]

Display all products featuring this work (2 more)  

Work Overview

Hum eventuated after a long period of collaboration between Detroit-based poet, Jamaal May, and me. Our creative relationship dated back to 2007-nine years before the premiere of Hum-when May and I first discussed the prospect of working on a piece together. During this time, our collaborative ideas went through numerous iterations, before settling on a framework that became the basis of this work, composed for New Music Detroit.

 

Hum revolves around five of May's poems that re-evaluate the oft-played narrative of the economic and social decline of Detroit, and its precarious future. Drawing upon the notion of 'interiority' afforded by his insider status as a Motown resident, May instead promotes the city as a place of hope, depth and soul. From a musical standpoint, the work's understated connection to the Baroque concerto grosso emerges in the piece's introduction, which features the ensemble playing together in a quasi-concertino style. Later, as the work unfolds, four musical episodes highlighting the instrumentalists in various duo settings, punctuate the arrival of each poem.

 

As with much of my work, Hum bears the influence of jazz and improvisation; these musical elements are deeply rooted within my creative processes. In this case, my jazz references serve as a musical metaphor for the Motor City's fluid and shifting evolution. This idea has resonance with others familiar with the city; Ian Ding, New Music Detroit's artistic director, stated that "openness...and [a] freely improvised spirit is how I see Detroit, especially in its recent history."

Work Details

Year: 2016

Instrumentation: Bb clarinet (doubling bass clarinet), tenor saxophone (doubling soprano saxophone), percussion (2 players), piano, violin, cello, speaker.

Duration: 27 min.

Difficulty: Advanced

Dedication note: Dedicated to Khalid El-Hakim

Commission note: Commissioned in 2016 by New Music Detroit for 'Strange Beautiful Music IX'

First performance: by New Music Detroit, Jamaal May, Michelle Merrill — 17 Sep 16. 'Strange Beautiful Music IX', Wasserman Projects, Eastern Market, Detroit, Michigan, USA

The composer notes the following styles, genres, influences, etc associated with this work:
Music with poetry, chamber music, Detroit, improvisatory music

Videos

Hum
 

Performances of this work

17 Sep 16: 'Strange Beautiful Music IX', Wasserman Projects, Eastern Market, Detroit, Michigan, USA. Featuring New Music Detroit, Jamaal May, Michelle Merrill.

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