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Fanfare for the muses (vocal nonets)

by Becky Llewellyn (1994)

Score Sample

View a sample of the score of this work

Audio Sample

Performance by Jeannie Marsh, Muses Trio from the CD Selected Works by AMC Represented Artists, vol. 113.

Selected Works by AMC Represented Artists, vol. 113.


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Fanfare for the muses


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Fanfare for the muses : for 9 a capella women's voices / Becky Llewellyn.

Library shelf no. 783.1965542/LLE 1 [Available for loan]

Work Overview

Fanfare for the Muses was commissioned to open the Second Composing Women Festival in Melbourne June 29th 1994 as thanks for inaugurating the first Composing Women's Festival. The piece was written for The Muses, a group of nine Melbourne singers led by Jeannie Marsh. For this festival, seven short poems circa 600 BCE by Sappho, translated by Mary Barnard, form the basis of the work. Each of the nine female voices carries their own line. The harmonies move through various Greek modes. As the primary icon of this work is the moon, the piece explore space and sound with circular musical and spatial motifs.

The original premiere involved The Muses dancing and spreading out antiphonally from The Malthouse balcony down a ladder to conclude this vocal fanfare and bless the festival with modern women's voices sounding from an ancient tradition.

Work Details

Year: 1994

Instrumentation: 3 sopranos, 3 mezzo-sopranos, 3 contraltos.

Duration: 5 min.

Difficulty: Medium

Dedication note: Dedicated to The Muses, Jeannie Marsh

Commission note: Commissioned by Wendy Lasica of CMEC - Festival Coordinator and the Composing Women's Festival Organising Committee - Dr Therese Radic, chair.

First performance: by The Muses, Jeannie Marsh — 29 Jun 94. CUB Malthouse, South Melbourne, Victoria


Performances of this work

29 Jun 94: Opening of the Second Composing Women's Festival,CUB Malthouse foyer, South Melbourne. Featuring Jeannie Marsh, Muses Trio.

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