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Work

La homa kanto (acousmatic music)

by Andrián Pertout (2005)

Score Sample

View a sample of the score of this work
This sample is from the Quartets: 4 synthesizers version of this work

Audio Sample

Performance by Aron Kallay, Rafael Liebich, Vatche Mankerian, Dzovig Markarian from the CD La flor en la colina

This sample is of the Quartets: 4 synthesizers version of this work

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La flor en la colina

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This item is not commercially available from the Australian Music Centre. We regret that we cannot offer it for sale.

CD

La flor en la colina / Andrian Pertout

Version: This product features the Quartets: 4 synthesizers version of this work

Library shelf no. CD 2340 [Available for loan]

La homa kanto

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Score

La homa kanto : for harmonically tuned synthesizer quartet / Andrián Pertout.

Version: This product features the Quartets: 4 synthesizers version of this work

Library shelf no. 785.4614/PER 1 [Available for loan]

Display all products featuring this work (1 more)  

Work Overview

La Homa Kanto or The Human Song in Esperanto is a dedication to the late American composer Lou Harrison (1917-2003), and its pitch material has been derived directly from Harrison's five-tone scales, presented in Lou Harrison's Music Primer: Various Items About Music to 1970. Included are the first five in the series, with the first - the diatonic or major pentatonic scale - acknowledged by Harrison as the "prime pentatonic", and "practically the Human Song." According to Harrison, "These first five are the most widespread, the core, the principal modes of 'Human Music'. They also constitute the bone-work, the firmest compositional basis for seven-tone music." The work also features ten distinct tuning modulations: three-limit, five-limit, seven-limit, eleven-limit, thirteen-limit, seventeen-limit, nineteen-limit, twenty-three-limit, twenty-nine-limit, and thirty-one-limit just intonation systems, based on the third, fifth, seventh, eleventh, thirteenth, seventeenth, nineteenth, twenty-third, twenty-ninth, and thirty-first partials of the harmonic series - each system adding its own microtonal nuances to the recurring melodic material, which is further transformed via the introduction of alternative scalar material, as well as via harmonic development pertinent to each individual just intonation system.

Work Details

Year: 2005

Difficulty: N/A - Not for live performance

First performance: 27 Apr 07. ‘Time/Space/Phantasm: Experience the Music’, St. Neighborhood Unaitarian Church, Los Angeles Sonic Odyssey, Electronic and Computer Music Concert Series 2007, Pasadena, CA, USA

Performances of this work

8 May 11: Lyman Hall, MicroFest 2011 (The 2011 Festival of Microtonal Music), Pomona College, Claremont, CA, USA. Featuring Aron Kallay, Rafael Liebich, Vatche Mankerian, Dzovig Markarian.

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