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Oración Afro-Cubana : for Flute, Bass Clarinet and Percussion

by Andrián Pertout (1999)

Score Sample

View a sample of the score of this work

Audio Sample

From the CD Renascence

This sample is of the Duos: Flute, cello version of this work

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Renascence / Andrián Pertout.

Version: This product features the Duos: Flute, cello version of this work

Library shelf no. CD 910 [Available for loan]

Display all products featuring this work (9 more)  

Work Overview

The batá drum is a double-headed hourglass-shaped drum and is generally associated with the rites of the Afro-Cuban Lucumí cult or Santeria, a traditional African religion introduced by West African slaves to the region in the 16th century. In this religious setting it is considered sacred, due to the belief of possessing the power to communicate with the deities. In light of this fact, the playing of the drum was once reserved for men only, although this gender prejudice is no longer relevant today. It is usually carved from a solid piece of log, and is fitted with goatskin heads of contrasting sizes. Independent cords or leather thongs endow these heads with two separate tunings, and another cord secures the drum horizontally on the player's lap. It is traditionally played in an ensemble that includes three sizes, which from largest to smallest are known as the iyá, itólele and okónkolo. The iyá is formally played by the master drummer, and is responsible for the most complex parts. 'Oración Afro-Cubana' or 'Afro-Cuban Prayer' utilizes the rhythmic nuances of the batá drum rhythm 'Chachá le kpá fúñ', which may be indistinctly dedicated to numerous orishas in ritual ceremonies and has a secular setting called 'de gualubia'. Although this rhythm begins in 6/8, it is common practice to include a transition to 4/4 (or 2/4) at some point in a piece.

Work Details

Year: 1999

Instrumentation: Flute, bass clarinet, percussion (5 players: okónkolo, itólele, iyá, shekere, claves).

Duration: 3 min.

Difficulty: Advanced — Professional

First performance: 9 May 00. Melba Hall, University of Melbourne, Parkville, Melbourne, Australia

The composer notes the following influences, subjects etc associated with thie work:
The batá drum, Afro-Cuban Lucumí cult or Santeria Batá drum rhythm ‘Chachá le kpá fúñ’

Performances of this work

30 Nov 18: Festival Osmose, L’Espace Toots, Région de Bruxelles-Capitale, Belgium. Featuring Amélie Debecq, Damien Delvaux .

21 Aug 06: Sala Purpurowa, Zaganski Palac Kultury, Zagan, Poland. Featuring Ryszard Pusz, Aleksander Pusz.

7 Jul 05: Sixth Shell Darwin International Guitar Festival, Charles Darwin University Sound Shell, Casuarina Campus, Darwin. Featuring Aleksander Pusz, Ryszard Pusz.

28 Jun 03: Sala Diana Franceschi di Villa Mazzacorati, Terza Rassegna Internazionale di Composizione ‘Alfeo Gigli’, Bologna, Italy

9 May 00: Melba Hall, University of Melbourne, Parkville, Melbourne, Australia

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