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Work

Oración Afro-Cubana (duos: flute, cello)

by Andrián Pertout (1999)

Score Sample

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Audio Sample

From the CD Renascence

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Renascence

Non-Commercial

This item is not commercially available from the Australian Music Centre. We regret that we cannot offer it for sale.

CD

Renascence / Andrián Pertout.

Library shelf no. CD 910 [Available for loan]

Oración Afro-Cubana

$29.95*

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Score

Oración Afro-Cubana : for flute and violoncello / Andrián Pertout.

* Sales note: Purchases of this item will be completed through the ReedMusic website. GST of 10% will be added during the checkout process for Australian residents.

Library shelf no. 785.4412/PER 1 [Available for loan]

Display all products featuring this work (6 more)  

Work Overview

The batá drum is a double-headed hourglass-shaped drum and is generally associated with the rites of the Afro-Cuban Lucumí cult or Santeria, a traditional African religion introduced by West African slaves to the region in the 16th century. In this religious setting it is considered sacred, due to the belief of possessing the power to communicate with the deities. In light of this fact, the playing of the drum was once reserved for men only, although this gender prejudice is no longer relevant today. It is usually carved from a solid piece of log, and is fitted with goatskin heads of contrasting sizes. Independent cords or leather thongs endow these heads with two separate tunings, and another cord secures the drum horizontally on the player's lap. It is traditionally played in an ensemble that includes three sizes, which from largest to smallest are known as the iyá, itólele and okónkolo. The iyá is formally played by the master drummer, and is responsible for the most complex parts. Oración Afro-Cubana or 'Afro-Cuban Prayer' utilizes the rhythmic nuances of the batá drum rhythm 'Chachá le kpá fúñ', which may be indistinctly dedicated to numerous orishas in ritual ceremonies and has a secular setting called 'de gualubia'. Although this rhythm begins in 6/8, it is common practice to include a transition to 4/4 (or 2/4) at some point in a piece.

Work Details

Year: 1999

Instrumentation: 2 marimbas.

Duration: 3 min.

Difficulty: Professional.

Performances of this work

30 Nov 18: Festival Osmose, L’Espace Toots, Région de Bruxelles-Capitale, Belgium. Featuring Amélie Debecq, Damien Delvaux .

21 Aug 06: Sala Purpurowa, Zaganski Palac Kultury, Zagan, Poland. Featuring Ryszard Pusz, Aleksander Pusz.

7 Jul 05: Sixth Shell Darwin International Guitar Festival, Charles Darwin University Sound Shell, Casuarina Campus, Darwin, Australia. Featuring Aleksander Pusz, Ryszard Pusz.

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