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Work Overview
The distinct voices of wood, metal and skin are each activated by three percussionists in a work that explores intricate and diverse timbral elements, as well as moments of cohesive combined ensemble.
Work Details
Year: 1999
Instrumentation: Percussion trio: 5-Octave Marimba ; 5 Brake Drums ; Drum Kit: 4 Tom-toms, Kick Drum, High-hat.
Duration: 5 min.
Difficulty: Advanced
Commission note: Commissioned by Strike Percussion with funds provided by Creative New Zealand.
First performance: by Strike Percussion — Oct 00. Wellington Town Hall, Wellington NZ
The composer notes the following styles, genres, influences, etc assocaited with this woork:
post-minimalist, influenced by the Bang on a Can school
Revised 2004.
Subjects
- Influenced by: Post-minimalism
Performances of this work
22 Feb 17: Music of Our Mothers, NPR-affiliated radio, Maryland, USA . Featuring Quey Percussion Duo.
Nov 06: The Loomis Chaffee School, Windsor, Conneticut, USA. Featuring Quey Percussion Duo.
Oct 06: River Crossings Concert Series, East Hartford, CT, USA . Featuring Quey Percussion Duo.
Oct 06: Bloomsburg University, PA, USA . Featuring Quey Percussion Duo.
1 Jan 05: Saratoga Springs, New York, USA. Featuring TimeTable Percussion.
Dec 04: Taplin Auditorium, Princeton University, New Jersey, USA . Featuring So Percussion.
2004: Princeton University USA. Featuring So Percussion.
Jul 01: Nelson College, New Zealand . Featuring Strike Percussion.
May 01: Massey University, New Zealand. Featuring Strike Percussion.
Apr 01: Baycourt Theatre, Tauranga, New Zealand. Featuring Strike Percussion.
Nov 00: Royal Northern College of Music, Manchester, UK. Featuring Strike Percussion.
Oct 00: Wellington Town Hall, Wellington NZ. Featuring Strike Percussion.
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