Miriama Young : Associate Artist
Random Audio Sample: The Inner Voices of Blue : mezzo-soprano voice with chamber ensemble by Miriama Young, from the CD Selected Works by AMC Represented Artists, vol. 93.
- Browse works by Miriama Young
- Browse articles by and about Miriama Young
- Browse events featuring music by Miriama Young
Photo: Aliscia Young
Artist website: http://www.miriamayoung.com
Hailed by The Herald Scotland as a 'Renaissance woman', Miriama Young is a composer and sound artist whose eclectic interests move beyond distinctions of genre. From chamber music to film scores, interactive sound for dance, radiophonic work, installations with live electronics, and concert works for instruments and electro-acoustics, her music embraces paradox: at once bold and ethereal, rooted in physicality whilst serviced by technology.
Indeed, much of Young's music engages new technologies to explore direct physical engagment through sound (interactive installations such as Solstice Lamp for Vivid Sydney 2013); through spoken word (The Prime Cut; 1,000 Kisses; Speak Volumes); using new technologies and bespoke hardware and software to blur body, composer, performer (Grey Ghost, Chatterbox, Titlipur), or to exploit the possibilities of smartphone apps with sound-related iOS apps, including Hushabye.
She has written extensively for voice, including Zen Story for Scottish Opera) and art song (Inner Voices of Blue). Some work electronically manipulates the voice (The Point of Contact, Chatterbox); or explores the sound of human absence (the multi-award winning film score, Speechless - The Polar Realm).
Complementing the creative work, her scholarly research examines the human voice and recording technology, and a recent book on this subject, Singing the Body Electric: The Human Voice and Sound Technology (Routledge) was listed in the Times Higher Education Best Books 2015.
The recipient of numerous awards, Miriama's work is performed and commissioned by ensembles from Norway to New Zealand, including performances by Sydney Symphony Fellows, Scottish Opera, HD Duo, So Percussion, New Millennium Ensemble, Quey Percussion, the Nash Ensemble, New Jersey Symphony Orchestra, Stroma, the Yesaroun' Duo, Strike Percussion, Now Ensemble, Xenia Pestova, and Bang on a Can MassMoca.
Her installations have featured at Vivid Sydney, New York City's Puffin Room and Gallery 138. Her music has featured on National Public Radio USA, National Radio NZ, Resonance FM London and ABC Australia. She has held artist residencies at Yaddo and MacDowell Colonies.
Dr Miriama Young is a dual-national New Zealand/Australian composer, sound artist and educator based at the University of Melbourne Conservatorium of Music, Faculty of Fine Arts & Music. Miriama graduated with a B.A. in History and B.Mus. (1st Class Hons) from Victoria University of Wellington (NZSM). In 2000 she pursued postgraduate work in the United States on a Fulbright Award, and gained her PhD in Music Composition at Princeton University (2007).
Miriama Young — current to January 2019
||Time and Tide : Echoes of Sydney Harbour : for brass trio, percussion and fixed media (2018)||Commissioned with the generous assistance of Dr Janet Merewether in memory of her mother, Tempe Merewether OAM.|
|Suffrage Song : voice with accompaniment (2018)||Commissioned by the New Zealand School of Music Te Kōkī to celebrate 125 years of Women's Suffrage in New Zealand|
|Grey Ghost : for piano and electro-acoustics (Music for Tiny Speakers No. 2) (2017)||Commissioned by Xenia Pestova.|
|This Earthly Round : alto saxophone and prepared piano (2014)||Commissioned by HD Duo. Commission supported by the Australian Government through the Council on Australian Latin America Relations (COALAR), an initiative of the Department of Foreign Affairs and Trade|
||The Inner Voices of Blue : mezzo-soprano voice with chamber ensemble (2006)||Composed for New Millennium Ensemble with mezzo-soprano Rebecca Ringle|
|Côte d’Azur (tenor with chamber ensemble) (2004)||Composed during Yaddo Artists’ Residency & MacDowell Artists’ Residency (July-August 2004)|