Aristea Mellos : Associate Artist
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Random Audio Sample: Prelude : A ghostly finger writes forgotten words (in the dust on the piano) by Aristea Mellos, from the CD Songs for a Day |
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Artist website: http://www.aristeamellos.com
Aristea Mellos is an Australian composer of contemporary classical music. Born on the island of Crete, she received her formative musical training in Sydney, where she was an avid chorister and also studied classical piano.
A winner of the 2014 Gallipoli Song Competition, Aristea is a recipient of grants from the Presser Foundation (2015), the Earle Brown Foundation (2016), the Australia Council of the Arts (2014), the American Australian Association (2013, 2014) and the Eastman School of Music (Professional Development Award 2014). Aristea's music has been published by the Capilano Review, and Soundboard Magazine, and has been recorded and broadcast by ABC Classics, NPR, WAYO 104.3FM, WXXI, Fine Music, Tall Poppies and Xenofone.
As a composer who focuses on art songs and intimate chamber music, Mellos has worked closely with many notable soloists including Jane Sheldon, Helen Zhibing Huang, Anna Dowsley, Michael Lampard, Corey Hamm, Elinor Frey, Daniel Pesca, Ada Arumeh Kim Lowery, Josinaldo Costa, Sophie Burgos, Madeline Cain, Zach Sheets, Phil Pierick and Emlyn Johnson.
A fellow of Art Song Lab (VISI 2013), the AYO's Composer School (2010), and the Bowdoin International Music Festival (2009), Aristea holds a Doctorate (DMA) and Master's (MM) in Composition and Piano from the Eastman School of Music (University of Rochester 2017, 2012). In 2010, she graduated with Honours Class I from the Sydney Conservatorium of Music (University of Sydney). She also holds an AMusA in piano performance.
Prizes and scholarships include: the Howard Hanson Ensemble Prize (2015), the Bernard Rogers Memorial Prize (2014), the T. A. Prize for Teaching Excellence (2014), the Belle S. Gitelman Prize (2016 & 2011), the Paul Sacher Scholarship (2010-2012), the Doris Burnett Ford Scholarship (2006-2010), and the Roy Agnew Memorial Fund (2006). Aristea's primary teachers have included Ricardo Zohn-Muldoon, Carlos Sanchez-Gutierrez, David Liptak, Robert Morris, Lisa Bielawa, Nigel Butterley and Trevor Pearce.
Aristea has a long association with Ossia New Music (having sat on the board in 2011-12 & 2014-15), and is the co-founder of the Ritsos Project, a festival that fosters cross-cultural exchange between the United States and Greece. Aristea currently co-directs the Sydney Bach Society, a chamber music series at Christ Church St Laurence, Sydney.
Aristea Mellos — current to January 2020
Studied with
Gerard Willems (2008 - 2009)
Nigel Butterley (2009)
Collaborated with
Bernadette Harvey (2014 - 2017)
Selected Commissions
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Dreams in Shadow : for alto saxophone (2018) | Commissioned by Phil Pierick for performance at the X Mallorca Saxophone Festival (2018) |
| The Lynx Project Song Book : mezzo-soprano voice with piano (2017) | Commissioned by the Lynx Project | |
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Tears Stream Through Water : for flute, alto saxophone, guitar and piano (2016) | Commissioned by the 2016 Ritsos Project Festival |
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Everything Flowing : for flute, clarinet in Bb, French horn, percussion, violin, viola & cello (2016) | Commissioned by Emlyn Johnson for Music in the American Wild |
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Sonata : for solo piano (2016) | Commissioned by the Australia Council for the Arts in 2014 as part of Australian pianist, Bernadette Harvey's 'Sonata Project' |
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Songs for a day : three poems of Yannis Ritsos, for soprano, flute, violoncello, and piano (2014) | Commissioned by Ossia New Music. |