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Work

L'Abbraccio della Rinascita : for bass flute

by Katia Tiutiunnik (2018)

Score Sample

View a sample of the score of this work
This sample is from the Solo Flute version of this work

Audio Sample

Performance by Victor Barral from the CD Selected Works by AMC Represented Artists, vol. 124.

This sample is of the Solo Flute version of this work

Selected products featuring this work — Display all products (2 more)

Selected Works by AMC Represented Artists, vol. 124.

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CD

Selected Works by AMC Represented Artists, vol. 124.

Version: This product features the Solo Flute version of this work

Library shelf no. CD 3165 [Available for loan]

 L'Abbraccio della Rinascita

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Score

L'Abbraccio della Rinascita : for bass flute / Katia Tiutiunnik.

Library shelf no. 788.34/TIU 4 [Available for loan]

Display all products featuring this work (2 more)  

Work Overview

L'Abbraccio della Rinascita for flute is a varied transcription of the second work of my 2006 cycle for solo violoncello, 'Who is like God?', entitled 'Embracing Dumuzi'. As such, like 'Who is like God?: (ii) Embracing Dumuzi', L'Abbraccio della Rinascita is intended as a musical portrayal of my spiritual embrace and invocation of the Sumerian god, Dumuzi, the most ancient personification of the eternal cycle of life, death, destruction and renewal. In Sumerian mythology, Dumuzi is portrayed as a beautiful, innocently self-centred youth who dies and rises again, bringing both destruction and renewal with the turn of the seasons. Dumuzi also embraces the roles of priest, king and husband of the great Sumerian goddess of love, war and enlightenment, Inanna. He is the quickener of the child, the force that causes the sap to rise in the tree and a deity of fertility, vegetation and the netherworld. Dumuzi has also been called 'the Shepherd' and 'lord of the sheepfolds'. In the Sumerian King-List, Gilgamesh was descended from 'Dumuzi a shepherd. The musical material of L'Abbraccio della Rinascita encompasses melodies inspired by both the Arab and Jewish traditions, in addition to fragments intended to evoke my conception of ancient Sumerian music.

Work Details

Year: 2018

Instrumentation: Bass flute.

Duration: 2 min.

Difficulty: Advanced

Dedication note: Dedicated to Iwona Glinka, Monica Moroni. Dedicated to Iwona Glinka, Monica Moroni

First performance: by Monica Moroni at Notti Magiche Sotto le Stelle (Tempio di Santa Croce (Tuscania, VT, Italy)) on 15 Sep 2018

The composer notes the following styles, subjects, genres etc, associated with this work:
Spiritual and Sacred Music; Mesopotamian Mythology; Jewish Music; Arab Music

Videos

L'Abbraccio della Rinascita, for bass flute
L'Abbraccio della Rinascita, for flute
L'Abbraccio della Rinascita, for bass flute
L'Abbraccio della Rinascita
L'Abbraccio della Rinascita
L'Abbraccio della Rinascita
L'Abbraccio della Rinascita
 

Subjects

Performances of this work

20 Nov 23: Concluding Recital of Monica Moroni, Festival della Pace, Pinacotheca of Brescia, Italy. Featuring Monica Moroni.

27 May 2023: at Concert by Candlelight (Christ Church Cathedral (Newcastle NSW)). Featuring Laura Chislett.

1 Sep 22: Memorial Flute Recital by Monica Moroni, Beslan School of Music, Beslan, Russia

22 May 22: Solitude: A Flute Recital by Nathan Meaney, Auditorio de la Biblioteca Vasconselos, Mexico City, Mexico

14 May 2022: at Solitude: A Flute Recital by Nathan Meaney (Patio de Alcázar, Chapultepec Castle). Featuring Nathan Meaney.

10 Aug 21: Monica Moroni alla Notte delle Candele, Fuori Festivale, Alexander Museum Palace Hotel, Pesaro PU, Italy. Featuring Monica Moroni.

8 Mar 21: Virtual Ceremony Commemorating International Women's Day, Faculty of Architecture and Arts, the Universidad Austral de Chile. Featuring Florángel Mesko.

17 Nov 20: Youtube Video recorded Live in the Residence of the Barral Family, Belém, Brazil. Featuring Victor Barral.

15 Sep 2018: at Notti Magiche Sotto le Stelle (Tempio di Santa Croce (Tuscania, VT, Italy)). Featuring Monica Moroni.

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