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Creased Impressions on the Imagined Surface of Becoming (10+ players: brass, keyboard, percussion, string, woodwind)

by Annie Hsieh (2019)

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The Australian Music Centre's catalogue does not include any recordings or sheet music of this work. This entry is for information purposes only.

It is listed in our catalogue because an event featuring a performance of this work was included in our calendar of Australian music. Details of this performance are listed below.

Work Details

Year: 2019

Instrumentation: Flute/alto flute, Bb clarinet, oboe, soprano saxophone, trumpet in C, tenor trombone, piano (with preparations), keyboard sampler, percussion (1 player), cello, double bass.

Duration: 14 min.

Commission note: Commissioned by Elision Ensemble with funds provided by Australian Cultural Fund, APRA AMCOS Art Music Fund.

First performance: by Elision Ensemble at ELISION in Taiwan: On the fringe of noise and silence (National Concert Hall, Taipei) on 31 May 2019


Resonate article: ISCM World New Music Days 2024: Australian Section selections by Australian Music Centre


Creased impressions on the surface of becoming, by Annie Hsieh

This work untangles some of my childhood memories of Taiwan, the country of my birth, and the lingering sounds of the Taiwanese language - folding and unfolding as layers and layers of one's own becoming - Annie Hsieh


Performances of this work

31 May 2019: at ELISION in Taiwan: On the fringe of noise and silence (National Concert Hall, Taipei). Featuring Elision Ensemble.

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