Renascence : for 12-piece unconducted amplified ensemble
by Andrián Pertout (2001)
Score SampleView a sample of the score of this work
Selected products featuring this work — Display all products (12 more)
This item is not commercially available from the Australian Music Centre. We regret that we cannot offer it for sale.
Version: This product features the Full orchestra with solo instrument(s) version of this work
Library shelf no. CD 1217 [Available for loan]
$63.64Add to cart
Library shelf no. Q 785.3419/PER 1 [Available for loan]
Display all products featuring this work (12 more)
Renascence refers not only to a musical awakening, but to a spiritual one; whereby the human emotions are unleashed outward into the world. The piece is essentially polymodal (set on a tonal centre of C), incorporating pitch material taken directly from the Phrygian mode (or third mode generated from the major scale) and closely related scalar variations. This includes its hemitonic pentatonic skeleton of C, D flat, F, G and B flat, and almost identical (apart from the substitution of an A natural or major sixth for an A flat or minor sixth) Dorian flat 2 mode (or second mode generated from the ascending melodic minor scale). Many compositional techniques are explored, with a special emphasis on rhythm. Much of the principle structure is founded around three bars of 5/16 (3+2) followed by one of 7/16 (3+2+2), to then be intentionally broken up by a 12-bar interlude of 10/16 (3+3+2+2). A consequent 'un poco piú mosso' 3/8 refrain intended as a building block for intensity, while the following repeated 4/8 and 7/16-bar 'montuno' or 'guajeo'(piano comping), providing the accompaniment for a notated form of the improvised open solo section of Afro-Latin style composition.
Instrumentation: Flute (doubling bass flute), 2-octave chromatic pan-pipes, clarinet in B flat (doubling bass clarinet), tenor saxophone, synthesiser (Hammond B-3 organ), free bass button accordion, piano (or sampled acoustic piano), electric guitar, 6-string electric bass, percussion (18" suspended cymbal, concert bass drum, marimba, prepared timpani, vibraphone, tam-tam), 5-string electric violin, 5-string electric cello.
Duration: 6 min.
Difficulty: Advanced — Professional.
Dedication note: Arranged for the Icebreaker Ensemble
This work was the winner of the 2002 Zavod Jazz/Classical Fusion Award (Melbourne, Australia) Finalist of the 2002 Icebreaker Composers' Competition (Surrey, UK)
- In the form/style of: Third Stream
Performances of this work
7 Oct 06: Melbourne Composers’ League ‘Australian-New Zealand Concert’ Saturday, Trinity Uniting Church, Brighton, Melbourne. Featuring Isin Cakmakcioglu, Peter Neville, Danae Killian, Rachel Atkinson.
15 May 06: Melba Hall, University of Melbourne, Parkville, Melbourne, Australia
14 Nov 03: XIII Festival de Música Contemporánea Chilena (13th Chilean Festival of Contemporary Music), Salón Fresno, Instituto de Música, Facultad de Artes, Pontificia Universidad Católica de Chile, Santiago, Chile. Featuring Quinteto CEAMC.
Be the first to share your thoughts, opinions and insights about this work.
To post a comment please login.