Enter your username and password

Forgotten your username or password?

Your Shopping Cart

There are no items in your shopping cart.


Suspended preludes, op. 49 : for double bass and piano

by Andrew Schultz (1993)

Audio Sample

Performance by Stephen Reeves, Stephen Emmerson from the CD Suspended preludes: chamber music volume two

Selected products featuring this work — Display all products (3 more)

Suspended preludes: chamber music volume two


Add to cart


Suspended preludes: chamber music volume two / Andrew Schultz.

Library shelf no. CD 1923 [Available for loan]

Suspended preludes, opus 49


Add to cart

Score & Part

Suspended preludes, opus 49 : for double bass and piano [orchestral tuning] / Andrew Schultz.

Library shelf no. 787.5/SCH 2 [Available for loan]

Display all products featuring this work (3 more)  

Work Overview

From 1993, Suspended Preludes makes great use of diverse sound sources, given the limited instrumentation, double bass and piano. The work, dedicated to Belinda Webster, was commissioned by Tall Poppies and the Australia Council, and first performed by Steve Reeves (who edited the double bass part) and Roland Peelman at the University of Wollongong in November 1993.
The first of the preludes, Resonate, fulfils the function of an introduction. Double bass chords played pizzicato with three fingers combine with strumming from 'bottom to top'. The piano is instructed to release the pedal on its last chord 'very slowly'. At the beginning of To sleep, the piano is instructed to wedge a piece of rubber between B and C. The double bass, playing arco, builds up a form of sighing, punctuated with pizzicato on the open strings E and A (the bass's tuning is a tone above orchestral tuning). The end is articulated with glassy wide-leaping piano notes. The somnolent mood is broken with very vigorous tapping on or inside the piano (Piano drum).
We are then into a very passionate alternation of dissonant seventh and ninth chords which breaks into arpeggiated versions ('Rocks in slow flight' - a phrase from a poem by David Malouf), before being 'grounded' in prelude 5. The sixth prelude is called Gravity (one would think ironically given the tempo instruction 'very fast and crisp') but the instruments struggle to escape the earth-boundedness of ostinato. The work returns to the contemplativeness of earlier moments in Trans, before finishing with 'joyous' strokes.
Note by Gordon Kalton Williams, c.

Work Details

Year: 1993

Instrumentation: Double bass, piano.

Duration: 12 min.

Difficulty: Advanced

Contents note: 1. Resonate -- 2. To sleep -- 3. Piano drum -- 4. 'Rocks in slow flight' -- 5. Ground -- 6. Gravity - 7. Trans.

Dedication note: Dedicated to Belinda Webster

Commission note: Commissioned by Tall Poppies with funds provided by Australia Council. Music Board.

First performance: by Roland Peelman, Stephen Reeves — Jun 93. University of Wollongong

Revised February 2020.


Performances of this work

4 Jul 2020: at Gravity / Brisbane Music Festival (Live streaming event (online only)). Featuring Alex Raineri, Marian Heckenberg.

11 Dec 2019: at Slow Flight (Bowen Terrace Studio). Featuring Alex Raineri, Marian Heckenberg.

16 Oct 2012: at Australian Voices - Andrew Schultz (Melbourne Recital Centre).

Nov 93: University of Wollongong. Featuring Roland Peelman, Stephen Reeves.

User reviews

Be the first to share your thoughts, opinions and insights about this work.

To post a comment please login.